It’s time again for the broadcast industry to descend upon Las Vegas for the NAB Show Conference. This year we’ve decided to take it off The Strip for one night and toss a Soiree.
This most excellent party is in downtown Las Vegas at the Beauty Bar on Monday, April 14th from 7PM – 10PM, and includes complimentary Limousine Service, open bar, and delicious hor d’ouvres.

DJ Mark Rae (Yes King) w/ Cez

Limousine service between the Las Vegas Strip and the Beauty Bar (you will receive details with your RSVP Confirmations)
Super Stretch Limos provided between 6:30pm – 10:30pm.

RSVP: rsvp[at]rumblefish.com

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Great albums are one thing, but individual songs deserve their time in the sun as well. We’re amped to share our favorite songs added to the Rumblefish catalog in 2007. Across all genresâ??rock, punk, house, hip-hop, jazz, and classicalâ??these are the 40 top songs that had us grooving all year:

Under Byen “Tindrer”

Tinkering and glistening tones from a Danish buzz band.

Sybris “The Best Day In History Ever”

Female-fronted indie rock band with a vocal style reminiscent of early Cat Power.

The Mighty VIC featuring La Bruja “Hangeo”

Hot Latin-inspired hip hop tracks featuring actress, poet, and rapper, La Bruja.

ATFC “Desire”

London-based tech house cooked to perfection.

Samsaya “Dodge It!”

Rapped and sung “Bollywood” lyrics over party hip hop.

Two Sheds “Perfect”

Tender with a hint of sadness and empathy.

Dave Pell “Mambo 69″

Lively horn section evokes images of old time Las Vegas lounges.

Real Life “God Tonight”

Synth pop from the 80s, remixed in the 2000s.

Street Drum Corps “Wrecks”

Percussive and loud with lots of shouting.

Unrest “I Do Believe You’re Blushing”

Legendary early 90s indie pop.

Down By Law “Easy Street”

Hardcore melodic punk by one of the genre’s forefathers.

The Timeout Drawer “I Fell So Far and I Fall So high”

Melodic guitars, vintage Moogs, and Mogwai/Godspeed influences.

50 Foot Wave “Bug”

Scratchy guitars, punk-ish melodies, and a splash of Throwing Muses‘ Kristin Hersh.

Gunsolo “Arcadia”

4:52 of smooth, mellow, electronic-organic vibe. Both unobtrusive and active at the same time.

Face To Face “Bill Of Goods”

Fist-pumping late 90s arena punk.

Deepgroove “Mardi Gras”

Minimal beats, trancey thuds, 70s disco/spy themes & filter sweeps; a great techno song.

Lydia “So Again”

Balanced mix between melodic pop and arena hard rock.

Tokyo Vogue “New Tomorrows”

80s band re-releases this unheard gem resembling Howard Jones at his best.

Ocasion “Sabor a Mi”

Traditional Latin tune with smooth rhythms and captivating vocals.

Co Pilgrim “Sweet Treason”

Heartbreaking falsetto paints minimally hushed waltzes and down-tempo melodies.

The Smashup “Never Gonna Kill Us”

Thrashing guitars, banging drums, and screaming vocals.

March Fourth Marching Band “Space Hole”

Equal parts carnival jazz, gypsy brass, big band, and funk.

Ultraviolet “Gimme My Electro”

As much at home in an 80s dance club as it is in the contemporary New York hipster bar scene.

Hyim “Evolution”

Reggae-infused feel-good pop bliss.

True Love Always “Mediterranean”

Elements of bossanova, jazz, and indie rock.

The Dimes “Catch Me Jumping”

The perfect medley of voice, instrumentation, and quirkiness creates catchy indie-pop.

DJ Egadz “Grim Advantage Pt 1″

Subtle blips and bloops provide a dark, trip hop backdrop.

Dylan In The Movies “My Only Sweet”

Lush and emotive indie ballads are nicely orchestrated and subtly affecting.

Alex Acuna “All For Nothing”

Latin Jazz that is heavy on percussion, subtle performances, and smooth female vocals.

Fans of Jimmy Century “The Record That U Play”

Fun electro clash pop evoking Goldfrapp remixed by Oakenfold.

The Feelies “When Company Comes”

Mostly instrumental/jangly folk song with heart and feeling.

Yonder Mountain String Band “Half Moon Rising”

Jangling bluegrass with soaring vocal harmonies.

Parker Theory “Leaving California”

Mid-tempo radio rock, ode to the left coast.

Slimey Things “Breaker breaker”

Strange, weird, and bizarre â?? â??nuff said.

Parlor Tricks “Under The Tree”

Holiday-inspired tune with soul and cool vocal effects.

Teddy Goldstein “Sure Wasn’t You”

Singer-songwriter, tongue-in-cheek folk pop.

Whiskey Priest “Get Well Card”

Alt folk ode to getting dumped.

Walt Mink “Goodnite”

90s power pop with intelligent songwriting and complex time signatures.

Cottonhead “This Is What I Want”

Ghostly, haunting, and beautiful country western & indie pop.

The Young Werewolves “Zombie Car Chase”

Like the Reverend Horton Heat mixed with The Cramps and a Halloween fetish on the side.

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2007 was a great year for our catalog. We added thousands of songs by new artists, and lot of new material from Rumblefish veterans as well. With that in mind, we’d like to turn your attention to our 15 favorite Rumblefish albums released in 2007:

Copperpot “WYLA?”

Smart, bright beats by an edgy, creative producer with guest spots by KRS-One and the guys from Tortoise.

Stars Of The Lid “And Their Refinement of the Decline”

Released to critical acclaim, these sleepy yet emotional pieces are ideal for score â?? particularly as ambient soundscapes and melodically charged white noise.

Track A Tiger “We Moved Like Ghosts”

Originally a solo project, the band’s sound has filled out gracefully to create beautifully textured, harmony-filled original indie pop gems.

Night Kills The Day “The Study Of Man”

Think Interpol meets the Promise Ring, with the right amount of style and pretension and topped off with lyrics about running terrified around NYC.

Strider “Tiger Stomp”

Classy, massive electro house with squelchy synths, pounding robot beats and fluid basslines, this 2007 breakout techno star is one to keep your eyes on.

Free Diamonds “By The Sword“

Perfect for scoring that scene where high school sweethearts either fall in love at a kegger or go and fight the jocks from a rival school. Yes, it is THAT good.

500 Miles To Memphis “Sunshine In A Shot Glass”

Fusing country guitar riffs and saloon style piano with punk rock attitude, they deliver twang-ridden lyrics about booze, heartache, and regret.

Seahorse “I’ll Be New”

Acoustic guitars, piano tinkering, and tin drums combine to create a rustic yet contemporary look at love and loss. Reminiscent of Paul Westerberg’s solo work.

Up The Empire “Light Rides The Super Major”

Pounding drumbeats that keep you dancing, and hypnotically-driving guitar hooks soaked in distortion. Similar to Superchunk, Sonic Youth, and Idlewild.

Glenn Mercer “Wheels In Motion”

After a self-imposed retirement, Feelies’ frontman Glenn Mercer is back with a solo album full of jangley pop rock gems.

Shane Newville “Formless”

Intricate and soulful combination of instrumental break beat, hip hop, and left-field electronica. This late night soundtrack album calls to mind the best works of DJ Shadow, Aphex Twin, and Four Tet.

MathClub “Mathclub”

Falls into line beside contemporary rock acts like Editors and the Killers with powerful hooks, self-reflecting lyrics, and danceable rhythms.

La Fleur Fatale “Night Generation”

Swedish psychedelic indie rock with sweeping guitars, cute organ leads, and memories of the coolest party none of us were invited to.

Jasmine Ash “Shine“

Breathy, intimate, eternally young vocals over shruggingly catchy pop music.

The Dimes “The Silent Generation“

Their combination of quirky sounds, unique instrumentation, and catchy lyrics lays the groundwork for great indie pop vignettes.

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